LocationUnited States , New York, New York Websitehttp://www.credovenetcreative.com Company Sizecensoredcens Employees256 profiles available Last Updated2020-02-15
La Méthode CREDO
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Directors provide strategic vision, leadership, planning and direction with regards to the organization's operations. Other job titles include Chief Executive Officer (CEO) and President. Gain insight from our directors, who can provide effective guidance to help reach organizational goals.
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Celene Stasio's current details
Current Title International Executive Creative Producer/Director
Type of Role Director
Job functions Arts and Design, Entrepreneurship and Operations
Job Seniority Higher Management
Current Industry Advertisements, Marketing Scensoredcensoredcensoredcensoredcensoredcensoredcenso
Location unknown
Experience (tracked since 1998) ▪ censore experience at Credo ▪ censore experience as International Executive Creative Producer/Director
Work-life tracked since 1998 Celene Stasio had a total of XX different roles since 1998
What company does Celene Stasio work for? Celene Stasio is working for Credo
What is Celene Stasio's title at Credo? Celene's title is , International Executive Creative Producer/Director
What is Celene Stasio's Seniority at Credo? Celene Stasio has been with Credo for 6 months and is in Higher Management
For how long is Celene Stasio working as a International Executive Creative Producer/Director? Celene Stasio has 1+ years experience as International Executive Creative Producer/Director.
What are Celene Stasio's functions as a International Executive Creative Producer/Director ? Celene Stasio is responsible for Arts and Design, Operatcensoredcensoredcenso
What is Celene Stasio's email contact? Celene Stasio's email address is ******@shortklips.com
Which education does Celene Stasio have? Celene Stasio has a Phd degree from Ncensoredcensoredcensoredcensore.
Who are similar contacts like Celene Stasio ? Some similar contacts are Heta Gandhi, Miklos Borsa, Faez Salie, Jan Varga, Tarek Fayad and Cindy Pierce.
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